Array
Matter to Dust

"A terrain, a defined area with its own physical characteristics, an arrangement of elements, dust and stones, pieces of plastic and random artefacts, a place without guidelines. I see these environments again and again when I walk the streets of New York. Chaos and density, textures, intermingling substances, parts, sights of familiarity and ambiguity at the same time. Forms and affordances.

My way of working is reactive - I observe, document and collect. In search of moments and patterns from which I can draw. In this act of displacement, I take things out of their "natural" environment - the documentation of spaces is framed from my perspective and thus taken out of context. Parts and materials that I collect are disassembled and reassembled in relation to materials from other places. I use forms that imply a utilitarian purpose and suggest events or ritual. The sandbox is a liminal environment, a poetic reference to play and the sublime. Piece by piece I build a place, a new terrain with multiple locations and interactions at once." Naama Levit, June 2021

Material: Stones, stone dust, gravel, sand, found plastic parts, rubber bands, copper, shells, polymer, silicon, silver, stainless steel, rayon fibre, year 2021, variable size


Thoughts on Matter to Dust

Site non Specific

site-non-specific is an installation, a performance and wearable objects.

The installation shows an arrangement of objects and forms, mostly from the domestic environment, and freestanding forms collected from the streets of New York. They are covered with a layer of beige/white plaster and assembled to create an environment, a place within a place. It stands on a platform on the roof of the BKMW studio, surrounded by ventilation shafts, boilers, power cables and the sides of the building.
The performance is a constantly repeating spectacle of movements and interactions around the installation as the performer activates the objects and materials.

The installation suggests a liminal existence, a non-specification of moments and objects. Fluid forms and functions, forms that imply a utilitarian purpose to suggest events or a ritual. The displacement of materials and the reconstruction of functional objects are intended to question the usual design order and the specification of things. Bodies and objects are in a constant mode of change. They are defined by the context, the environment and the subjects surrounding them. The ongoing performance suggests infinite possibilities of relationships to objects, inviting the viewer to experience the non-specification of the specific.

This project was created during the Designers in Residence 2021 at the EMMA Creative Centre Pforzheim, Germany and in collaboration with Brooklyn Metal Works, Brooklyn, NY. The work will be presented in 3 locations simultaneously - Pforzheim, Brooklyn and in virtual space.

Design and concept: Naama Levit and Hilla Shapira
Photography and video editing: Maya Baran
Cast: Æirrinn Ricks
Sound: At the viewpoint by Skygaze


Naama Levit

Naama Levit was born in Jerusalem and currently lives and works in New York. Her work focuses on the exploration of materials and their potential for transformation. She works in an interdisciplinary way between the fields of jewellery and objects, installation, performance and photography. Naama Levit studied jewellery design at the Bezalel Academy of Art and Design in Jerusalem and completed a master's degree in metal art at the Cranbrook Academy of Art in Michigan, USA. She has received a number of awards, including the Mercedes Benz Emerging Artist Award, the Cranbrook Academy of Art Merit Scholarship and the Haystack Mountain AIDA Scholarship from the School of Craft. Her work has been exhibited in museums in Israel, galleries in the Netherlands, Germany, Poland and Detroit, USA.